Posted in

(1921, Ozark Mountains) A Bear Hunter Followed a Trail for 40 Miles. It Was Not a Bear Trail.

Every photograph has two sides. One everyone sees, the other almost no one.

This is behind the photo.

In October of 1921, a bear hunter named Willis Cade followed a trail into the Ozark Mountains of Missouri.

He was not a man who made mistakes in the woods. He had been tracking in those mountains for 40 years.

He knew bear, knew the weight of it in a print, knew the spacing of the stride, knew the way a bear moves through timber, and how it marks a tree, and how it smells when it has been through a space recently.

40 years of knowing. By the second day of following this trail, he knew it was not a bear.

He wrote this in his field diary, a small leather notebook he carried in his coat pocket, which he filled during every hunt with the details of sign and weather and terrain that a serious tracker records as a matter of habit.

On the second day, he wrote that the trail was not what it had appeared to be.

He wrote that he knew this. And then he wrote the sentence that stayed with me when I first read it and has not left me since.

He wrote, “I have to know what is at the end of it.” He followed the trail for two more days, 40 miles total, deep into the Ozark timber.

On the fourth day, he found what was at the end. He wrote one more entry in the diary, then he walked the 40 miles back out of the mountains.

He never went into that part of the Ozarks again. Not in the 23 years he lived after that October.

The diary was found in his estate after his death in 1944. His family donated it to the Stone County Historical Society in 1961.

It sat in their archive for 60 years before anyone connected it to the hunting records from that season.

Tonight, we read it in full. Willis Cade was 53 years old in October of 1921, and he had been hunting the Ozark Mountains of Missouri for 40 years.

Not hunting as a pastime, hunting as a practice. The kind of knowledge that accumulates in a person the way scar tissue accumulates, layering over itself until it is structural, until the man and the knowledge are no longer separable.

He had begun accompanying his father into the timber at the age of 13 in the hills above the Current River in what is now Shannon County, and hadn’t stopped in the four decades since.

He knew the Ozarks the way certain people know their own hands. Not as information they have acquired, but as something that is simply part of how they experience the world.

He was particularly good with bear. This is not a judgment I am making. It is the consensus of the people who knew him, recorded in the oral histories collected by the Stone County Historical Society in the 1940s and 1950s.

Several of his contemporaries, interviewed in old age about the hunters of their generation, named Willis Cade without hesitation when asked who they would trust to read bear sign in difficult terrain.

The Stone County Sheriff, a man named Eugene Prather, who served from 1918 to 1932, told an interviewer in 1949 that Cade could tell you how many bears had passed through a hollow and how long ago and which direction they were heading and probably what they’d eaten.

And he’d rarely be wrong about any of it. The oral histories that contain these accounts are real.

They are in the Stone County Historical Society archive alongside the hunting notebooks, part of a larger collection of Depression era and post-war interviews with long-time residents of the Missouri Ozarks.

The project that produced them was conducted in the 1940s and 1950s by a local historian named Margaret Simms, who drove the dirt roads of Stone and Shannon counties for a decade interviewing the oldest residents about the region as it had been in the early part of the century.

She interviewed 43 people. Willis Cade was not among them. He died in 1944 before the project was well underway.

But several people she interviewed had known him, hunted with him, or observed him work.

None of the oral history interviews mention the October 1921 hunt. Either the people Simms interviewed did not know about it or they knew and chose not to discuss it or Cade himself had never spoken of it outside the family.

The latter seems most likely. A man who sleeps with a lamp burning for 23 years and does not explain why is a man who has decided that some knowledge belongs to him alone.

The diary that Willis Cade kept during hunts is a small leather-bound notebook, approximately 4 in by 6 in, with a brass clasp on the front cover.

He used a new notebook for each hunting season, and the Stone County Historical Society has 17 of them, covering the years 1904 to 1921, with some gaps for the years he did not hunt.

Each notebook is filled with the same kind of material, dates, locations, weather conditions, sign observed, quarry identified, shots taken, results.

The handwriting is small and economical. The entries brief, in the way of a man who writes in the field, and has limited space and limited light, and no interest in literary effect.

The notebooks from before 1921 are remarkable documents in their own right. They are a record of 40 years of sustained attention to a specific landscape.

The same hollows and ridge lines and creek drainages visited year after year. The same patterns of animal movement observed across decades.

The accumulation of knowledge that comes from spending enough time in a place that the place begins to reveal itself to you in ways that shorter acquaintance does not produce.

Reading them in sequence, I was struck by how consistent Cade’s observations are, how the same features appear in the same locations decade how the animal populations shift with the seasons and the years in ways he tracks with the patience of a scientist who has chosen field notes over laboratory equipment.

There is nothing in the first 16 notebooks to suggest that the man who wrote them was capable of being frightened.

Not because he was without fear. He describes dangerous situations with a matter-of-fact tone of a man who has learned to manage fear as a practical matter.

But because he was always in those notebooks, the person who knew most about the situation.

The person reading the landscape, not being read by it. The 1921 notebook is different from the others.

I read all 17 notebooks in the reading room of the Stone County Historical Society in Galena, Missouri.

I am telling you this because Galena is a real place. And the Stone County Historical Society is a real institution.

And the notebooks are real documents that anyone can request to read. I spent 2 days there.

The first 16 notebooks took me most of the first day. The 1921 notebook took me the rest of the first day and most of the second.

It is different not because it is longer. It is not significantly longer than the others.

It is different because of what it contains in the final four entries. And because of what those entries do to the rest of the document when you read them first and then go back to the beginning.

The hunt began on October 4th, 1921. Cade was hunting alone. He often hunted alone in the later years.

Preferring to move at his own pace and in his own silence. In the Ozark timber north and west of the town of Eminence.

In an area that he had hunted regularly since the late 1890s. He was looking for a large male bear that had been reported by farmers in the area as raiding corn cribs and chicken houses over the preceding several weeks.

The bear was described as exceptionally large. The track measurements reported by one of the farmers suggested an animal of 400 lb or more, which was on the high end for the Missouri Ozarks, but not impossible.

Kade found the trail on the morning of October 4th, approximately 3 mi north of Eminence.

His first entry reads, “Large bear track in soft ground along the creek bed. Right front paw, approximately 6 in across.

Stride indicating a heavy animal moving at an unhurried pace heading northwest. Weather clear, temperature 38°.

Sign fresh. Estimate 6 to 8 hours. Beginning to follow.” The second entry, written that evening, describes a day of tracking through dense second-growth timber.

The trail moved consistently northwest, staying close to water where the ground was soft enough to hold prints clearly.

Kade noted that the bear was moving in an unusually straight line. Most bears meander as they travel, stopping to investigate smells and overturn logs and investigate whatever catches their attention.

This animal was going somewhere specific. He also noted in the October 4th evening entry something that he described as a small irregularity in the left rear print, an asymmetry in the toe impression that he attributed at the time to an old injury.

Perhaps a broken digit that had healed wrong. He noted it and moved on. He had seen injured animals before.

An old injury in a rear paw was not, by itself, unusual. It was not an old injury.

He would understand this the following morning. The third entry, written on the morning of October 5th, is where the notebook changes.

He wrote, “Something wrong with this trail. I have been looking at it since yesterday and trying to understand what is bothering me.

And this morning, I think I know. The track is consistent in the right front paw, but the other three paws are wrong.

The spacing is wrong. A bear of this size, moving at this pace, should leave a particular pattern, and the pattern here is not that pattern.

I have been tracking bear for 40 years, and this is not how a bear moves.

Something is making these prints that is not moving the way a bear moves.” He wrote, “I should turn back.

I am not going to turn back.” He wrote, “I have to know what is at the end of it.”

This entry is the one that the Stone County Historical Society archivist, a woman named Ruth Harlan, who cataloged the notebooks in the 1980s, marked with a paperclip when she processed the collection.

She told me, when I asked about the paperclip, that she had not been able to explain what made her mark that page specifically.

That she had simply felt, reading it, that it was the point of the document.

The place where everything before it became a different kind of story. And everything after it would need to be read with that knowledge.

She had put the paperclip there so she would be able to find it again.

She did not read the final four entries. She told me this directly, without embarrassment or elaboration.

She processed the document, noted its contents for the catalog, put the paperclip on the page where the trail changed, and did not read what came after.

I asked her why. She said, “Because I could tell from the handwriting in those last entries that reading them would be something I could not undo.

And I had to work here every day. I want to say something about Ruth Harlan’s decision because I think it matters.

She is a professional archivist with decades of experience handling historical documents. She has read accounts of violence, of death, of the full range of things that human beings do to each other and to themselves in the documents she has processed over a career.

She is not a person who flinches from difficult material. She told me this herself in the matter-of-fact way of a person describing a professional characteristic rather than making a claim about personal fortitude.

She flinched from the 1921 notebook. Not from the first part. Not from the entries describing the wrongness of the trail, the prints that were not quite right, the fear that Cade named directly and did not apologize for.

Those entries she read and processed without difficulty. She flinched from the final four entries and she flinched before reading them based on a quality in the handwriting alone.

I asked her what quality. She thought about it for a moment. She said, “When a person writes something down that they do not fully understand, there is a particular quality to the handwriting, a compression, as though the words are being held more tightly than usual, as though the writer is aware that language is not equal to what they are describing and is holding on harder because of that awareness.

I have seen this quality in documents written by people who have survived catastrophic events and are trying to describe them.

The 1921 notebook has this quality starting on the October 7th entry. I recognized it and I decided I did not need to know what had produced it.

She paused. She said, “mr. Kade knew. He was there. I was not there and I did not need to know.”

Kade continued following the trail on October 5th and 6th. His entries for those two days are detailed in the way that a tracker’s entries are detailed.

Observations about the terrain, the weather, the condition of the sign, the behavior of the quarry as interpreted through the physical evidence it leaves.

He was doing his job. He was reading the woods the way he had read them for 40 years, noting everything and interpreting what he noted with the particular precision of a man who has made a life of this.

But the entries for those two days also contain something that the earlier notebooks do not contain.

A running commentary on the wrongness of what he was following. On October 5th, he wrote, “The right front print is perfect.

It is a bear print. Whatever is making it knows how to make a bear print.

The other three prints are less consistent. By which I mean, they are sometimes right and sometimes not right.

When they are not right, they are wrong in a way I cannot describe accurately except to say that the shape is wrong in the direction of something that does not have the same number of toes as a bear.”

On October 6th, he wrote, “No prints today for the first 6 miles. Ground too hard.

Following bent vegetation and disturbed leaf litter and one place where something heavy rested against a fallen oak and left a mark in the bark.

That is not a mark I recognize. Then soft ground again along a spring branch and the prints returned.

Whatever this is it was not trying to hide today. The prints on the spring branch are clear and deep and the right front paw is exactly as it has been from the beginning.

The others are I’m going to write this even though it sounds wrong. The others are becoming more consistent.

Not more like bear prints more like each other. Whatever is walking in front of me is settling into something.

On October 6th he also wrote in a separate entry made later that evening. I have been in these woods my whole life and I am not a man who frightens easily.

And I am telling you I am telling whoever reads this that I am frightened.

Not of the thing in front of me or not only of that. I am frightened of what it means that I am still following it.

I know what it is not. I do not know what it is. That is the thing that keeps my feet moving forward.

That is the thing I cannot put down. He also wrote in the margin of that same page in smaller handwriting than the main entry as though added as an afterthought or as a thing he almost did not write.

It knows I am following it. I have been tracking long enough to know when a quarry is aware of being tracked and when it is not.

This one knows. It has known since the first day. It is not changing its direction or its pace.

It is going where it is going and it is allowing me to follow. And I do not know whether that is better or worse than the alternative.

He underlined the words allowing me to follow. On the morning of October 7th, the fourth day, he found what was at the end of the trail.

The entry for October 7th is the longest single entry in all 17 notebooks. It covers four pages of the small leather notebook, front and back, in handwriting that is significantly less controlled than the rest of the document.

Not shaking, Willis Cade was not a man whose hands shook, but compressed, as though the words needed to be smaller than usual to fit what he was trying to put into them.

The entry begins at the top of the page and fills every available space, including the margins.

He wrote, “Found it this morning at a place where a spring comes out of a hillside into a basin of flat rock about 40 ft across.

The basin is ringed by old growth oak and hickory. And the spring feeds a pool in the center, about 10 ft across and maybe 3 ft deep.

Clear water. The flat rock around the pool is smooth from water over a long time.

This is the place the trail was going.” He wrote, “I saw it before it saw me, or before it showed me that it saw me, which is not the same thing.

It was at the far edge of the pool with its back to me, standing upright on two legs.

It was approximately 8 ft tall in that posture. The coloring was dark, darker than any bear I have seen, closer to black, with a quality to the coat that I cannot describe, except to say it did not catch the light the way fur catches light.

It caught the light the way deep water catches light as though the light went into it and did not come back.

He wrote, “I had my rifle. I did not raise it. I want to be honest about why I did not raise it and the honest reason is that I understood immediately on a level below thought that raising the rifle would be wrong, not dangerous, wrong the way it would be wrong to raise a rifle at something you were not willing to take responsibility for shooting.

And I was not willing to take responsibility for shooting this.” He wrote, “It turned around.”

He wrote, “I am not going to describe the face completely. I am going to describe what I observed and then I am going to stop because there is a point past which description becomes a kind of damage and I do not want to do that damage to whoever reads this.

What I will say is this. The face was not a bear face. It was not any animal face I have seen in 40 years of hunting.

It had features that I recognized as being in the category of face, a face rather than a muzzle with the particular organization of features that you associate with faces rather than muzzles.

And those features were wrong in a way that I cannot make more specific without going past the point I mentioned.

The eyes were the part I will not describe. I looked at them once. I did not look at them again.”

He wrote, “We stood on opposite sides of that pool for what I estimate was 4 or 5 minutes.

It did not move. I did not move. The only sound was the spring feeding the pool.

And then it did something that I have thought about every day since. He wrote, it looked down at the pool.

Then it looked back at me. Then it looked down at the pool again. I understood this as an instruction or an invitation or something between those two things that does not have a precise word.

I looked at the pool. He wrote, there was something in the pool, in the water.

Not under the water, in it, distributed through it. The way a color is distributed through water when you put something in.

It was not a color. It was a quality. The water had a quality to it that I cannot name and cannot approach by analogy.

I looked at it for a long time. And then I looked away because I understood that looking at it longer would change something in me that I was not willing to have changed.

He wrote, I want to try to say what the quality was even though I already said I cannot name it.

I am going to try anyway because I think the attempt matters even if it fails.

The water looked like it contained something that water does not contain. Not a substance, a condition.

The way water looks different in a place where something has drowned than in a place where nothing has even when the water itself is identical.

Except what I saw in that pool was not the condition of drowning. It was the condition of something else.

Something that does not have a name in English or any other language I am aware of.

Something that the water had been holding for longer than the water had been there.

I looked at it. I understood that it was showing itself to me deliberately, and I looked away.

He wrote, “When I looked up, it was gone. No sound of movement. No disturbance of the vegetation at the edge of the basin.

Gone the way something is gone when it has not moved away from a place, but has simply stopped being in it.”

He wrote, “The prints at the edge of the basin are bear prints. All four paws.

Perfect bear prints. As though whatever I followed for 4 days walked to that pool as a bear and left as something else.”

He wrote, “I have to go home now.” The entry ends there. The final entry in the 1921 notebook is dated October 11th, 4 days after October 7th, which is consistent with Kate having walked the 40 miles back to Eminence in approximately the same time it took him to walk in.

The final entry is 11 words. He wrote, “I got home. I am not going to write about this anymore.”

And he did not. He lived for 23 more years, and he continued to hunt.

There are accounts of him hunting in other parts of the Ozarks through the 1920s and 1930s, but he never returned to the area north and west of Eminence where the trail had taken him.

He never spoke publicly about the October 1921 hunt. His family, when they donated the notebooks in 1961, told the Stone County Historical Society only that the 1921 notebook was different from the others, and that they had not read it fully, and that they thought it should be preserved.

His grandson, a man named Thomas Cade, was interviewed by a local historian in 1978 and asked about his grandfather’s reputation as a tracker.

Thomas told the historian that Willis was the best he had ever seen in those mountains, that he could follow anything through any terrain, and that he had only one rule about hunting that he ever shared with the family.

The historian asked what the rule was. Thomas said, “He told us that if you follow something long enough, you will find out what it is, and that sometimes finding out is not the point.

The point is that you had to know.” He said there was a difference between those two things, and that the difference was important.

He said he had learned this the hard way. The historian asked when he had learned it.

Thomas said, “He wouldn’t tell us that part.” Thomas Cade also told the historian one other thing, which the historian noted at the bottom of the interview transcript as an afterthought.

Something said after the formal questioning was finished, in the way that important things are often said.

Thomas said, “My grandfather was a man who slept well his whole life. I mean that literally.

He slept deeply and he woke rested. And he did not have the kind of nights that some men have.

He told me once that a clear conscience and a tired body were the only medicines a man needed.

After 1921, he slept with a lamp burning. Every night for the rest of his life, he slept with a lamp.

We never asked him why. We understood without asking that the question would not be welcome, and he never explained.

A lamp burning every night for 23 years. I read this detail in the interview transcript and I sat with it for a long time.

Whatever Willis Cade saw at the edge of that pool on the morning of October 7th, 1921, whatever face he looked at once and would not look at again, whatever quality was in the water that he turned away from before it changed him, it was still in the room with him when he closed his eyes at night for 23 years.

He managed it with a lamp. Willis Cade’s 17 hunting notebooks are in the Stone County Historical Society archive in Galena, Missouri.

They are available to researchers who request access. The 1921 notebook is the last one.

He hunted for 23 more years, but kept no further diaries as far as the family or the Historical Society is aware.

The Stone County Historical Society is a real institution at a real address in Galena, Missouri.

I’m telling you this because I want you to be able to verify it. I want you to be able to go there if you choose and request the notebooks and read the 1921 entry for October 7th yourself.

I want you to have that option. I also want you to know what Ruth Harlan told me in case it affects your decision.

She said, “mr. Cade knew. He was there. I was not there and I did not need to know.”

She has worked in that archive for 31 years. She has not read the final four entries.

She does not intend to. I read the October 7th entry three times. They are available to researchers who request access.

The 1921 notebook is the last one. He hunted for 23 more years, but kept no further diaries as far as the family or the historical society is aware.

I read the October 7th entry three times. I am telling you that directly because I want you to understand that I am not conveying it to you second hand or from memory.

I sat in the reading room in Galena with the notebook on the table in front of me and I read it three times and I took notes by hand because they do not permit photographs of the collection.

The pool described in the October 7th entry a spring-fed basin of flat rock approximately 40 ft across ringed by old-growth oak and hickory located somewhere north and west of Eminence in Shannon County, Missouri has not been identified.

The terrain description in the entry is consistent with the karst geology of the Missouri Ozarks which produces exactly the kind of spring-fed rock basins K describes.

But he does not give coordinates. He does not name landmarks. And the area north and west of Eminence covers several hundred square miles of Ozark timber that is today largely within the boundaries of the Mark Twain National Forest.

I contacted the Mark Twain National Forest District office in Eminence. They confirmed that the area contains numerous unnamed spring-fed basins of the type K describes.

Karst features that appear and disappear with the water table that are fed by underground springs whose sources are often unlocatable that have been in the landscape for longer than any human record of the Ozarks extends.

The forest is old. The springs are older. The rock basins that the springs fill are older still.

The ranger I spoke with was helpful and professional and answered my questions about the geology without any awareness of why I was asking them.

I did not explain why I was asking. I simply asked about spring-fed basins of flat rock in the area north and west of Eminence.

And she described the geology and I thanked her and ended the call. I did not ask her whether anyone had reported unusual tracks in that area in recent years.

I thought about asking. I decided not to. There are things you can know and things you need to know and the difference between them is the same difference that Willis Cade was describing when he told his family that sometimes finding out is not the point.

The point is that you had to know. He had to know in October of 1921.

He went and found out and he was 53 years old and he had 40 years of the Ozarks in him and he decided that what he found at the end of that trail was something he would sleep with a lamp burning about for the rest of his life.

I am not 53. I do not have 40 years of the Ozarks. I decided not to ask the ranger about recent track reports.

The trail he followed for days. The prints that were bear prints and then were not bear prints and then were bear prints again.

The thing that stood 8 ft tall at the edge of the water and turned around and showed him a face he would not describe.

The quality in the pool that he looked at and then looked away from because he understood that looking longer would change something in him that he was not willing to have changed.

These things happened in October of 1921 in the Ozark Mountains of Missouri to a man who had spent 40 years learning to read those mountains and who spent the last 23 years of his life not reading them in that particular place.

The pool is still there. The karst springs of the Ozarks do not stop. Whatever feeds that basin has been feeding it for longer than anyone can measure.

And whatever quality was in the water when Willis Kidd looked at it on the morning of October 7th, 1921 and looked away from before it changed him that quality is still in the water.

And the trail if something is still walking north and west of Eminence in the Ozark timber leaving bear prints that are not quite right going somewhere specific at an unhurried pace, the trail is still there, too.

Willis Kidd knew what was at the end of it. He wrote it down. He wrote “I have to go home now.”

And he slept with a lamp burning for 23 years. And he never went back.

Neither should you. Thank you for reaching the very end with me. Write one phrase in the comments, the one that came to your mind while you were watching this story.

Don’t edit it. Just leave it here. And subscribe to Behind the Photo. The archive is not empty yet.